at the end of the track one can hear the crowd of the L.A Amphi in ecstasy, manically exhorting our lasses and their bold heirs for a new song. Roasting at the LA Amphiteater, June 1990 will remain the most haunting perfomance by the Krew, at the end of the concert, the staff had to admit having found over 40 items of female undergarments and....20 phone numbers scribbled on small pieces of pink paper. A sign? For the audience it was the revival on american soil of pride and exemplaries bonnocking the guitars, wigs and incartellas harpsichords to a sound born in there, for a crowd heated in flame by the guests, the dances, the power guitars and the claps of a demented bald haired spinning singer. The tape is still available for an asian audience as the bootleg was pressed in Laos as of 1992 as the `The L.A. Roasting, Live in Los Angeles Amphiteatrum June 17th 1990`, the sollicitors and assessors of Laxima Records had not got the right to release the manic performance but VIP RECORDS in Milano pressed a double Cd copy as THE KREW, Live in Los Angeles on San Marino license for limited broadcasting and part to part sale in Italy. at the beginning of the third track the false announcement `one more Madonna cover, this is for you L.A...` is an infidelity to the bass wielder, an maimed studio slave on Sonic`s archetypal album, `Dirty`, (released by Geffen in 1992), the third is indeed a scientological take on 100%...and with great effect as the transfixed audience erupts thereon in ontological screams and shouts. In 1990, the Krew was the motley show, all inpeded and sailed, most passes uncredited but the flames of the public never died. The colossal version of `Veterinaries on the Psychic Words`, an 1978 Blue Oyster Cult classic went straight to platinum when released as a red flexy disc in Luxembourg as `Veterans of The Psychic Wars`, the curious format had enough cool appeal for the Krew to claim 150, 000 sales in two weeks. This was hovered over by the threat to sue by Geffen and Sony Rock for undisciplined use of other people songs and not giving them money for use of a copyrighted recording. The Los Angeles courts even had to fork the bill...the top was 15 thousand dollars for having allowed those criminally ensane EMI-One Little Apple protegees to...sing other people songs and make the audience pay for it! Harsh. Bizarre? no, strictly legal and up to this day chromatically seen in Nimes, it seemed. the refusal of concerting and acknowledging the Krew as a true band made of true performers is maintained as, believe it or not, the masked performers could not be legally known as true musicians but mere thearical apparels in artforms, what, what? Strange and Faked? Yes, indeed the death of an art, music. The suicide, comically, of 2 of the band`s front performers in a blaze of glory, Paris, 2001, was reported in the press though no reference were tolerated to either the legendary LA night time chronicles, nor the genius of that mysterious taboo, badly scared rock monument, The Krew. one will adore this recordings, one will take them to a pinacle, one will seat and one will lonesomelly deal with envenimal logic, said Peter on the contrary...Peter, can you hear me? I did wire and saw this elogy, sign your name above the seams, Pete C., I am anamy or victim it feels!
Bootlegs kill Laceswas the title of a dry black memo, left on the top of a desk, at the center of the reef, in one of her dream...................................................Lizzy-on-Earth. now fully visible-